A Brief Complement to the Last Post

 

My rather chaotic approach to the Natural Printing on Paper has resulted mostly in somewhat watery ghost images on the paper though nicely colored, at least to my mind, due to the presence of different metal scraps in the pile, as I assume…

 

As I was enjoying my dear FB friend Betty Eilat’s Experiments on Paper  album the other day, I realized a couple of things and got an idea,

(which I was unable to conclude based on my own practical results due to the lack of those regarding Paper! Credits to Betty Eilat!)

• The prints created via steaming and simmering differ;
• The difference is watery/blurry vs graphic/well-defined images;
• The blurry print could make a great background to print over a more defined one!

Right here I have to stop and declare, that I am fully aware of the possibility that somewhere someone has learnt this phenomenon long time before me; he/she may have been successfully using this approach, etc. By dwelling upon this topic I by no means am aspiring to be a discoverer! I am just committing to paper the sequence of my working process in this Field, so to say…

 

 

So, back to the subject.

1. I took one of my dyed papers with no vivid imprints;
2. took a few presoaked leaves;
3. a steam iron;
4. and a paper towel.

I iron-steamed the sandwich for a few seconds and got quite satisfactory results as for such a short period of steaming time .

? What if  it were  the real steaming! Wow!

It is just sometimes you spend so much time and effort on setting up some experiment only to  find yourself desperately disappointed with the outcome, realizing  that the approach has no prospects what so ever, so when a test as small  as this all of sudden yields  some promising results, it is really worth sharing it with whoever shares the same interests!! I think so .

What do you think, Betty?   

xo

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